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前天和昨天,台湾泰雅族舞剧《源流》在福州与观众见面,这是福建艺术节首次邀请台湾艺术团体来闽交流演出。

《源流》的演出单位为台湾传源艺术团。艺术团以苗栗泰安乡中兴部落为练习点,成员平日是上班族、学生,假日则是文化的传播者,艺术团成立至今受邀演出逾500场次。

艺术团负责人在接受媒体记者采访时表示,泰雅族无文字书写系统,千百年来,他们是通过口说及说唱的表现方式,来记忆族群起源与部落迁徙等生命历程,并经常提醒泰雅的子孙们,不要忘记祖先的发源地。“艺术团的演员都是年轻人,上天赐予原始的舞蹈细胞和优美的声线,我们应当为即将消逝的传统文化尽一份力量。”

《源流》分成四幕,第一幕“迹”勾勒出民族赖以生存的传统领域;第二幕“坚守”讲述男人成年之前必须要熟悉狩猎的相关技术,否则可能遭到族人们的轻视及嘲笑;第三幕“织”反映的是泰雅族女人的故事,泰雅族少女跟着妈妈学习织布技巧,开始为自己准备嫁衣;第四幕“族流”召唤大家一同寻找泰雅族文化的美丽,希望不要忘记祖先曾走过的历程。


来源:福州晚报
编辑:林昱星 责编:卢明铭

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台湾泰雅族舞剧《源流》首次亮相福建艺术节

2018-11-28 14:12   福视悦动  

前天和昨天,台湾泰雅族舞剧《源流》在福州与观众见面,这是福建艺术节首次邀请台湾艺术团体来闽交流演出。

《源流》的演出单位为台湾传源艺术团。艺术团以苗栗泰安乡中兴部落为练习点,成员平日是上班族、学生,假日则是文化的传播者,艺术团成立至今受邀演出逾500场次。

艺术团负责人在接受媒体记者采访时表示,泰雅族无文字书写系统,千百年来,他们是通过口说及说唱的表现方式,来记忆族群起源与部落迁徙等生命历程,并经常提醒泰雅的子孙们,不要忘记祖先的发源地。“艺术团的演员都是年轻人,上天赐予原始的舞蹈细胞和优美的声线,我们应当为即将消逝的传统文化尽一份力量。”

《源流》分成四幕,第一幕“迹”勾勒出民族赖以生存的传统领域;第二幕“坚守”讲述男人成年之前必须要熟悉狩猎的相关技术,否则可能遭到族人们的轻视及嘲笑;第三幕“织”反映的是泰雅族女人的故事,泰雅族少女跟着妈妈学习织布技巧,开始为自己准备嫁衣;第四幕“族流”召唤大家一同寻找泰雅族文化的美丽,希望不要忘记祖先曾走过的历程。


来源:福州晚报
编辑:林昱星 责编:卢明铭

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